1 Sampling Time
( sec.)
Comparison
(CD = 1)
Sampling Times
(per sec.)
Frequency Range*
Dynamic Range
(dB)*
CD
22.6757
1.00
44,100
0 Hz -- 20 kHz
96
DVD-Audio
5.2083
4.35
192,000
0 Hz -- 96 kHz
144
1-Bit Amplifier/SACD
0.3543
64.00
2,822,400
0 Hz -- 100 kHz
120


Figure 3 shows changes in an analogue sound wave (represented as the white waveform) and compares the sampling states of three different digital formats including 1-bit.
Looking at each digital format's sampling time respectively, it is fairly obvious that 1-bit has the highest sampling speed. In the time frame it takes CD to sample the analogue sound once, DVD-A samples the same analogue sound 4 times and 1-bit samples it 64 times. In other words, 1-bit's time resolution ability, created by the 2.8224 MHz ultra high-speed sampling, produces a signal that is the greatest in terms of faithful reproduction of the original signal and in transient response.
1-Bit's delta-sigma modulation with ultra high-speed sampling and 7th-order noise shaping also realises a wide frequency and a wide dynamic range.
Because of its sampling frequency of 44.1 kHz and 16-bit quantisation, CD format cannot always grant the dreams and desires of music lovers and audiophiles who wish to listen to natural sound at its original quality.
Technological advances allow 1-bit format to achieve a sampling frequency of 2.8224 MHz and a dynamic range of 120 dB* with a frequency response of 0 Hz -- 100 kHz* by 7th-order delta-sigma modulation. With the ability to reproduce 100 kHz sound of high-hat cymbals and over 100 dB dynamic range of orchestra sound, 1-bit expresses the true sound of music including the full atmosphere of the performance space.

* Theoretical value.

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